The Mackie manual explains all of this a lot better than I did, and of course I left out lots of stuff like monitors for the rest of the band, but at least you can bounce more questions off me if you like. If you need individual stereo tracks for each instrument, I can walk you through that, but you'll probably want a bigger mixer at that point - or even a second one. This would give you individual mono tracks, which is all many of us use for home recording if we're doing a whole band. You can also use the inserts on the mixer to send the signal to the inputs on your Audio Interface as well. Using XLR or cables, connect the main outputs of the mixer to the Audio Interface’s inputs. Then you'd just set your recording levels right at the interface, assuming it has level controls. Connect your recording equipment (microphones, instruments, etc.) to the mixer using XLR or 1/4 cables. You plug all the way in, and a switch interrupts the signal flow, allowing you to insert extra processing.īut if you want to tap off a channel pre-EQ, pre-fader, say to individual tracks on your interface, you just plug in a MONO cable halfway, which allows the signal to split to two destinations without interrupting the "normal" signal path. This usually interrupts the signal between the mic preamp and the EQ section, which lets add compression or outboard EQ or EFX to just that channel. If you plug all the way in you'd typically use an insert cable, which has both a send and a return on one end (2 plugs), and a single TRS ("stereo") plug on the other end. The insert points are like an EFX loop for each individual channel strip. Maximum Audio Routing Possibilities and Monitoring: 3 Aux bus (MON1, MON2pre/post, FX) and PFL Listen round out the Model 16s pro-level signal path. That saves you an aux if you need it for something else. Are you with me so far? The other way you could monitor keys/bass is by using a DI to the board, and plugging directly into your amp instead. If you decide you want to monitor anything else through your amp all you have to do is bring up aux 3 on that channel strip. Send aux3 to your key/bass amp, set your aux 3 level on whichever channel strip your bass in plugged into, and you're done. But it'll be a stereo mix of everything, not a multitrack recording with each instrument on its own track. Answer (1 of 2): A typical audio mixer has a tape out output, which, on an analog mixer, is usually a pair of RCA jacks. Now you can mix to the house (with the faders) any old way you want to, and the recording will be entirely separate, save the shared EQ for each channel. Make aux1 left and aux2 right, and set the auxes on each instrument the way you want them in your recording. Now set up Auxes 1 and 2 for pre-fader, and patch those to your interface. After setting your gain levels you will usually find an EQ section on the desk which will allow you to sculpt your sound before. Nothing is actually recorded onto the console. Click to expand.OK, just keep sending everything to the house however you've been doing it: either L/R (stereo) or mono, hopefully balanced. A mixing console allows you to feed your recorded signal into your DAW and then monitor the sound as a full mix via the console faders.
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